Lotman and the Baroque

نویسندگان

چکیده

The title of this article refers to Gilles Deleuze’s work titled Fold: Leibnitz and the Baroque supposes a link, which could be established between as type art, imagery, philosophical concept, it was described by Deleuze, on one hand, culture, its inner structure, mechanisms (workings), they were defined Juri Lotman in his conception semiosphere, other. shows that main concepts introduced Leibniz Deleuze find their counterparts semiotic space Lotman. Starting with concept monad both thinkers are concerned with, following conceptual pairs identified systems: border – fold, meaning-making folding, semiosphere total Deleuzian principle cone hierarchy monads In article, when placed side side, systems reveal proximity well new aspects. analysis leads conclusion Lotman, who started career strict structuralist, end, became post-structural thinker revealing works folded (Baroque) boundary these two intellectual trends.

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ژورنال

عنوان ژورنال: Semiotika

سال: 2022

ISSN: ['1392-0219', '2424-547X']

DOI: https://doi.org/10.15388/semiotika.2022.32